Wooden sarcophagus lid, Dyn.18

Wooden sarcophagus lid, Dyn.18
Period:Egypt, New Kingdom, Dynasty 18
Dating:1570 BC–1307 BC
Origin:Egypt, Upper Egypt
Material:Wood (undetermined)
Physical:58cm. (22.7 in.) -

Links to other views:

⇒ Larger View
if scripting is off, click the ⇒ instead.

• • •

Links to others from Dynasty 18

Alabaster unguent jar, Dyn. 18
Alabaster unguent vase, Dyn. 18
Amenhotep III as Amun-Min, Dyn 18
Amulet of Bes, Dyn. 18
Amulet of god Thoth as a Baboon, Dyn. 18
Anthropomorphic mirror handle, Dyn. 18
Basalt shawabti of a king, early Dyn. 18
Blue faience ring, udjat eye, Dyn. 18
Blue faience shawabti, Dyn.18
Bronze Horus sarcophagus, Dyn.18
Bronze insigna-pendant of Atum, Dyn. 18
Bronze of a king as Osiris, Dyn. 18
Bronze of Sakhmet seated, early Dyn. 18
Bronze statuette of Apis, Dyn. 18
Cartonnage of Princess Baket, Dyn. 18
Cartouche ring of Akhenaten, Dyn. 18
Carved face from a sarcophagus, Dyn. 18
Carved face from a sarcophagus, N.K.
Copper inlay for a box, Dyn. 18
Divine scarab, reign of Thutmose IV
Enameled feathers of Amun, Dyn. 18
Extensible bronze bracelet, Dyn. 18
Faience ear ornament, Dyn. 18
Foundation marker from Amenhotep III
Funerary box (panel), Dyn. 18-33
Gilded ib, heart amulet, Dyn.18
Gilded mkrt, snake amulet, Dyn. 18
Gilded ‘tit’ (girdle of Isis) amulet, Dyn. 18
Granite cartouche of Akhenaten, Dyn. 18
Head, realistic portrait in stone, Dyn 18
Horus-the-Child as a ruling king, Dyn. 18
Ibis-headed Thoth with human body, Dyn.18
King Amenhotep II (?) as Amun-Re, Dyn. 18
King Horemheb as a sphinx, Dyn. 18
King Horemheb as Amun-Re, Dyn. 18
King wearing the royal headdress, Dyn. 18
Limestone shawabti, early Dyn. 18
Lotus necklace terminal, Egypt, Dyn. 18
Monumental bronze feather, Dyn. 18
Mummy mask of a young woman, Dyn. 18
Nekhbet, vulture-goddess of Nekheb
New Year’s flask for sacred water, Dyn.18
Osiris, King of the Afterlife, Dyn. 18
Osiris of an unknown king, Dyn. 18 (?)
Osiris-Neper, god of agriculture, Dyn. 18
Pair of udjat eyes of Horus, Dyn. 18
Palm leaf amulet, Dyn. 18-19
Palm leaf amulet, Dyn. 18-19
Pillar capital, Hathor, Dyn. 18
Polychrome glass cup, Dyn 18
Queen as Goddess Mut, Dyn.18
Queen Hatshepsut as Goddess Mut, Dyn. 18
Queen Hatshepsut as Hathor, Dyn. 18
Queen Isis as Isis nursing Thutmose III
Royal situla, sacred water vessel, Dyn.18
Royal wooden sarcophagus lid, Dyn. 18
Sakhmet amulet pendant, Dyn. 18
Sarcophagus of a king, Dyn. 18
Sarcophagus of a queen, Dyn. 18
Scarab “begets the existence of Amun”
Scarab of protection, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab with Amun-Re, solar discs, Dyn. 18
Scarab with ‘Ba’, Dyn. 18
Scarab with “faith in Justice,” Dyn. 18
Scarab with Goddess Hathor
Scarab with Horus of the Horizon, Dyn. 18
Scarab with ‘nsw-bity’, Dyn. 18
Scarab with ‘sa’ singing birds, Dyn. 18
Shawabti of Amen, vizier of Amenhotep III
Shawabti of Queen Mutemwia. Dyn.18
Signet-ring of Tutankhamun, Dyn. 18
Statuette of a privileged man, Dyn. 18
Stone bust of a scribe, Dyn. 18
Stone shawabti of a Nubian viceroy, Dyn. 18
Stone statue of King Thutmose III, Dyn. 18
Two cobras from the queen’s crown
Udjat eye amulet-pendant, Dyn. 18
Uninscribed wooden shawabti, Dyn. 18
Uraeus from a royal crown, Dyn. 18
Wood statue of King Smenkhkare, Dyn. 18
Wooden sarcophagus lid, Dyn. 18
Wooden sarcophagus lid, Dyn. 18

Links to others of type Coffin/sarcophagus lid

Carved face from a sarcophagus, N.K.
Face from a sarcophagus lid, Dyn. 26
Head of a sarcophagus lid, 590-350 BC
Royal wooden sarcophagus lid, Dyn. 18
Sarcophagus of a king, Dyn. 18
Sarcophagus of a queen, Dyn. 18
Wooden sarcophagus lid, circa 650 BC
Wooden sarcophagus lid, Dyn. 18
Wooden sarcophagus lid, Dyn. 18
  This portrait carved in wood, originally fully gessoed, painted and gilded, is really the sawed off upper section of a sarcophagus lid. The rest of the sarcophagus, which would have provided the identity of its owner, was probably discarded as superfluous cargo by unscrupulous tomb raiders. The large size of the piece indicates that it was an outer sarcophagus, within which fit a smaller sarcophagus containing the mummy.

The headdress was originally painted blue, highlighted with gold. Between the descending tresses, we have a glimpse of the traditional collar of concentric blue, green, and red bands, each bordered with gold. The face and neck were fully gilded, as was most probably the rest of the sarcophagus, adorned with images of the protective gods, goddesses and hieroglyphic inscriptions of ritual formulas introducing the defunct to the other world on his judgment day, with his name, titles and filiation.

The loss of its gilded splendor and vivid colors allows us to fully appreciate the understated perfection of the modeling, the tranquil beauty of his serene expression, the incredible mastery of Theban craftsmen of Dynasty 18.

Sarcophagus is a Greek term used in Egyptology to designate a container made to protect a mummified body (the term literally means “body eater”). Although we are guilty here of using the term loosely, the generally accepted convention today is to use ‘sarcophagus’ for a stone container, and ‘coffin’ for a wooden or metal container.

Initially, Egyptian coffins were rectangular (sometimes with arched tops). They were decorated with symbolically charged motifs and ritual texts. Around Dynasty 12 (Middle Kingdom) appeared the first anthropomorphic coffins, which followed the general shape of the human body. By the New Kingdom, royal burial sets had become very elaborate: “The mummy. . . lay in three mummiform coffins; the innermost is made of solid gold, and the other two of wood covered with sheet gold. . . [the] set of anthropomorphic coffins was laid into a rectangular or cartouche-shaped sarcophagus, which in turn was surrounded by several chapel-like wooden structures. . .” (Redford 2001:[1]283).

Dynasty 18
In many ways, Dynasty 18 could be viewed as the golden age of the Egyptian Civilization. Spanning almost 280 years (1570-1293 BC), it ushered in the New Kingdom by a return to a powerful, monolithic Egyptian nation unified by a heavily centralized government under the undivided control of the king.

Egypt’s dominions expanded to include territory rife with natural resources; this wealth of resources fueled Egypt’s economy to unprecedented levels; the economic activity prompted the development of international trade and diplomacy; cultural and technological exchanges, together with spreading wealth, yielded a blossoming of the arts, and a widespread refinement of the Egyptian culture.

It would be unfair, if not untrue, to suggest that the achievements of Dynasty 18 were greater than those of, say, Dynasty 12 in the Middle Kingdom, or Dynasty 3 in the Old Kingdom. But the sheer volume of exquisite material goods produced and preserved from that period, the tantalizing political intrigues and mysteries of its controversial monarchs (such as Queen Hatshepsut and King Akhenaten), and the comparatively extensive written record (both from within and without Egypt), cannot help but make Egypt’s Dynasty 18 a most fascinating period of human history.

Founded by King Ahmose, who reclaimed the Delta from the Hyksos, Dynasty 18 saw some of the most enlightened monarchs of Egypt’s history. Blending the unwavering projection of military power with the development of social policies and the shepherding of culture, they left an indelible mark on their civilization. After a long period of prosperity and stability under a succession of kings named Tuthmosis and Amenhotep (and the great queen Hatshepsut), the dynasty stumbled when Amenhotep IV attempted to change just about everything about Egyptian culture: under his new name Akhenaten, he left the old capital and built a new one, abandoned Egypt’s traditional gods and created a new monotheistic cult, abandoned Egypt’s established artistic conventions and fostered a new, disturbingly realistic, aesthetic canon. Too much, too fast, Akhenaten’s reforms were soon undone. His capital was abandoned, his monuments destroyed, and records of his reign meticulously expunged. Turning a new page, his successor Tutankhaten soon changed his name to Tutankhamun. The Dynasty never regained its luster, and soon made way for a new line of rulers emerging from the ranks of the military: the Ramessids.

Bibliography (for this item)

Andrews, Carol
1984 Egyptian Mummies. Harvard University Press, Cambridge, MA.

D’Auria, Sue, Peter Lacovara, and Catharine H. Roehrig
1992 Mummies & Magic. The Funerary Arts of Ancient Egypt (Reprinted with changes by the Dallas Museum of Arts, from the 1988 Boston edition). Boston Museum of Fine Arts, Boston, MA.

Tiradritti, Francesco
1998 Egyptian Treasures from the Egyptian Museum in Cairo. White Star Publishers, Vercelli, Italy. (167-173
202-203, 228-235

Bibliography (on Sarcophagus)

Redford, Donald B.
2001 Oxford Encyclopedia of Ancient Egypt. Oxford University Press, London. (283)

©2004 CIWA, All rights reserved.